Emotional Technology
Album Description / b>
Aussie edition of the Electronica / Dance Star’s 2003 album features exclusive work. 13 tracks including “just like (sleepwalking).” Festival / Mushroom Records. . . . more>>
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It was not possible to update the list of tracks, so I’ll use this space to this review:
version of the technology by Brian Transeau “Emotional” revised originally published in 2003. Features nine tracks of the original album on CD1, and four previously unreleased tracks. The second CD comes with Extended Dance Mixes by some of the tracks.
01 Disc 1 The meeting of a Hundred Yang
02
Know Yourself 03 Just 04th heart
Force Of Gravity Dark Heart Dawning 05th 06th
The Great Escape 07th 08th Paris
The Kimosabe 09th 10th revolution Last moment
11 Clarity 12 Communicate The only constant is change
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01 Disc 2 Somnabulist (Mark Norman Remix)
02 Love In The Time Of Thieves />
04th Somnabulist (Junkie XL Vocal Mix)
05th Superfabulous (mixed toksin Rawshaker)
06th Gravity (Dylan Rhymes Push Up Mix)
07th Kimosabe (Hyper Remix )
08th Communicate (remix toksin Narcan) 09th
Somnabulist (Sander Kleinenberg Convertible Mix)
Rating: 5.4
This CD may well be simply the best musical work to be included in the measurement of the century! The music is not a contest, or an exclusive club you must join or remain faithful. If you give rats a ** if BT has remained “faithful” to dance to trance or house music genre, or in general. The production quality of this CD, as well as the scope and musicality of this work of art is at the cutting edge and state of the art studios today. It is a pure delight for the ears, and deserves all the praise. This CD can be for fans and die hard trance ravers. But for the rest of the musical public, this album seems easy! It is revolutionary. It is not good in a unique genre well known. I hear elements of the puzzle, Rush, Delerium, Steve Roach, Synthaesia, William Orbit and more, all the work around the base style and sound that BT has made his signature sound in all his albums. It’s an album you’ll hear again and again, picking tips, effects, Changes, changes, articles, and washes of ambient sounds that are evolving in the music. The album takes you on a journey, cinematic atmosphere, full of rhythm and groove, and all the time is always smooth, clear, deep, surround you in the world of BT. There are so many songs that will remain only in your head because they are so catchy. At first, you can not recognize, but you will see very quickly, you just start singing these songs in my head. If you are narrow-minded to experience this beautiful and surprisingly complex portrayal of technonlogy Sonic, because it is not true, “genre, then you are entitled to feel that way. . . . but you do not listen “to the production for what it is. This is a first rate, state of art production that few people may be surprised and impressed. If you are a technology of electronic music, love and want sounds and effects to know that you’ve never heard before, and you like music that keeps you interested with exotic sounds, cutting advanced treatments and effects, the atmospheric elements that you moved to another place but then you groove with your hand gently beats customized integrated grow and develop through a course with beautiful songs and vocal effects that human voice again filled temporarily in an electronic instrument (Amazing), and ultra-catchy rhythms. . . then click Run. . . not go. . . to buy the CD. You will not be disappointed. Raver die and keeps Trancers. This is probably not for you. It is for the rest of the world that can appreciate a little more than 4×4 kick drum on the ground. Not that there’s nothing wrong with that. . . . But this is not what BT was trying to do here. BT has increased the level of a true star in recent years. There are a lot of hope on the part of many artists and DJ’s trance ever be in his career. He is a producer and composer extraordinare who is now at the Hollywood film music, big musical productions (like the new version of Sting), Sample CDs, music, technology and, of course, also issued its own music. To expect him to type by “loyalty” when he was a pioneer artist in high demand in both genres and media for its avant-garde forms a kind of solid background in sculpture, a ridiculous expectation. BT is the king now, and Emotional Technology is the product that should the king. It rocks! You should. . . . . Peace
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Rating: 5.5
It became very clear to me that BT has not tried a dance record straight this time. I’m sure he could if he wanted, but it would not be as near as interesting (or nice, in my opinion) that one. I’m tired of defending against the fans who can not bear to try something new branch and artists can with their music, so I’ll just say that some people will love and some hate it. To each his own. Emotional Technology I, but for a different reason than I like other albums of BT.
BT was the first artist that the whole “techno music without soul” stigma for me broke. It seems appropriate that he has been testing its own limits, and many different styles into his music, his songs much more personal, and carefully articulate matters of the heart. Rap-style techno breakbeat difficult with the liquid (knowledge), instructive and interesting Dance Anthems (force of gravity, Paris), sweet acoustic melodies basis (animals), even a little metal (circles), and all sounds fantastic. The flow of the album works very well too, not a single song seems out of place or out of order on the album. The production is impeccably neat and a joy to hear, and when I say advanced, I mean. This man pulls every trick in the book, which is logical because it has virtually rewritten, if it makes from scratch AND. They will listen for new things in the third, fourth and fifty-fourth of this album, because it was made to repeat in the best audiences are experienced. I can understand why people dislike
this album, but do yourself a favor and listen to it before your own trial. I think this is another milestone in BT already amazing career.
Rating: 5.5
I like BT. I own all the albums of man began, and consider his previous outings, never Movement CD in any genre of Still Life, one of the greatest. Despite all this, I could not help but be disappointed by Emotional Technology. BT’s latest is not without its strengths and advantages, but it is not without flaws.
The album begins with the knowledge of himself as the logical development of some of the Nu-Breaks Sounds / Hip-Hop sounds strong BT worked in MISL. The next track that is totally disgusting Superfabulous I have not heard all along, I can not take more than 45 seconds before I have to skip the next track, which, fortunately, is better. Sleepwalker includes the pop of Running Down The Way Up (off MISL), but the quality and UPS ante with catchy lyrics and sound very sophisticated. Unfortunately, from here it will be funny. Gravity is not wrong number of trance, but it lacks the “something” Flaming June and Godspeed been so wonderful. I do not know what that “something”, and I do not think that BT is not, otherwise we would probably have been placed there. Dark Heart Dawning sounds like satellites. The Great Escape and Paris are probably the most trips on the albums, both feel more focused and BT-like “than the other tracks. Circles is a sweet, shame as songs. In the last moment of clarity is not very memorable. You can call the best thing since Flaming June have been if she had played the melody and the effects of post-production is phenomenal. The last two digits are the only way to communicate survey inspiration that I see as the last song of the album.
Emotional Technology in post-production is polished to a shine so bright that it could hurt the eyes when they were visually (but probably not as much as the cover image of BT is painful). All jerky step, every sound effect, every note, everything has a meaning, a rhyme, reason, and that’s exactly what it should be. The detailed stratification of the song is huge, we do not build a track like BT. Unfortunately, BT’s talent for instrumental music does not invade the lyrical side. His voice is not bad, but his voice is certainly not the qualities of, say, Seal. His words are what really bring this time. Inspiration, respite (“Communicate, communicate childish talk, now use your words, so that we can communicate …” Or: “Our love is cyclical it moves in circles …”), just anemic and without inspiration are. It has one or two tracks, this’d be very true, but unfortunately, all the songs from the album have been limited, a song.
I read somewhere in an interview with BT which he said he wanted this album very different from his earlier, do a few things are great lyrics and more Stuff is out of his system (which explains certainly get songs like The Animals and the only constant change). I hope he did, and I hope he follows with another album like the home-related ESCM (something he said he wanted to do). Emotional Technology is not all bad, but it is certainly not good, especially given its artists. I see many 5-star reviews here for ET, it has clearly struck a chord with an audience of more than usual, and led them in BT, which is good, I guess. But I can not help but feel confused by this album. Maybe if his studio equipment, and the first version of the album was stolen, he could not return inspiration. Anyway, this album is one of the lowest BT, and probably not worth listening to is worth paying full price for.
And I wish he had done serious Communicate instrumental.
Rating: 5.2
BT has once again brought us something that chooses to expand our horizons and expectations of electronic music. In this album, as MISL, BT writes songs worth remembering not just down to a single genre – some who invent, an eclectic sound, or just another new genre in itself. If it is not, however, it does you, I think the best way to get the things you encounter a mix of trance (be there after all, describe, BT is one of the pioneers of this variant particular), Breakbeat, 80′s rock, progressive rock and acoustic songs. Yes – it’s the variety, and you wonder how on earth it is to meet, oh, but it does come together very well through the long history of training in classical music BT (4 years) and know – expertise in programming and digital audio. My recommendations would be the song of self-knowledge (very similar MISL Mad Skillz Mic Chekka), Paris (semi-planing style length progressive), last moment of clarity (BE has many roots in the days ESCM BT) and Dark Heart is Dawning (MISL similar satellites, but more emotional). This is an excellent CD, and I recommend it to anyone!
Rating: 5.5